The Benefits: For sellers the benefit is obvious - we handle all the marketing and you make money doing what you're best at. AirGigs holds payment until the gig has been completed and then Sellers pay between 8-15% commission based on seniority, bonuses and promotions.
The Finances: When a buyer purchases a gig, payment is made through PayPal. This one has the bass cut tone knob so its more sort of an on-off thing. The Cooder-style pickup delivers a fantastic sound. Buyers can leave reviews of gigs they have purchased. This beautiful art deco style lap steel is in mostly original condition, minus a new set of Kluson Deluxe tuners.
All communication and file exchange happens through the Airgigs system. They set the terms, provide representative audio samples and specify what materials (rough mixes, session files, formats, etc) that they require from buyers. The Process: On AirGigs, sellers post gigs for music production services that they can deliver online. And why do we think it's possible? "Virtual" collaboration is already happening all over the music world, and AirGigs is just a central platform where people can post gigs for their skills and talents. The Goal: To open up new possibilities for music production via online collaboration and a new income stream for sound designers, session musicians and audio engineers. The Concept: A marketplace & community of recording, mixing and mastering professionals working on projects from their own studios. I track with Scheerhorn, Beard, Rayco and Gretsch resonator guitars. I graduated from Belmont in the summer of 2005 with degree in Music Business Management/Marketing. I've performed at the Grand Ole Opry a number of times and traveled overseas with country and bluegrass artists. I've performed/recorded and/or did road gigs with artists such as SheDaisy, Ricky Skaggs, Vince Gill, Earl Scruggs, Meghan Trainor, Lucy Hale, Jo Dee Messina, Sara Evans, Ashley Monroe, Kacey Musgraves, Carly Pearce, Richard Marx, Hugh Jackman, Rebecca Lynn Howard, Emmylou Harris, and Jerry Douglas. We toured the world while having our own show on GAC. Upon graduation I started a band with John Osborne (Brothers Osborne) and Charlie Worsham called KingBilly. I then started playing with Grand Ole Opry members The Whites. I moved to Nashville in the Summer of 2001 to begin Belmont University. On the other hand, I am pretty unobservant, too, but I kinda like the way the double neck plants in my lap, it makes my Fender Champ feel unstable in comparison.Runaway June- When I Think About ChristmasĪrkansas CMA dobro player of the year ’2021’ĪCM Nomination “Specialty Instrument Player of the Year” ‘2022’ $800 is more than you'd likely pay for 2 singlenecks and an A/B switch, if you wanna think about it that way, and then you'd not have to worry about the planar issue, not that it was anything I ever noticed, and I am a pretty small guy. It's been listed for quite some time, maybe the seller would listen to an offer. I think that $800 is in line with other gBase prices, that is, more than I'd pay unless I had an itch that no other scratch would fix, but not way ridiculous. I made some adjustments to the screw poles (and fixed the backwards magnet), but I still wind up using a compressor, too. Had some issues with the individual string volume which were discussed here in the electronics forum. Mine came with the original faux alligator cardboard case, which didn't seem useful for bringing my axe back from gigs where alcohol had been served! I lucked into a used anvil style custom case on ePay that was EXACTLY the right size and picked it up for cheap. At that price I considered picking it up as a spare, but we couldn't come to terms on a trade. There was a guy on CL a while ago selling one for $525 or offering to trade that was puke, errm puce colored. Just need a block under my left foot that approximates the height of my volume pedal. Is that a reasonable-sounding ballpark price? The seller of the one I sent wants about $800 and says there's no case. Also what kind of case works for this kind of steel? Do you play this on a stand or lap or sometimes one or the other? I'm wondering if you might have experienced difficulty with the same-plane-neck idea discussed previously in this thread.
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